Most recently I took on the commission of installing an Ancestral Community altar paying homage to beloved Arts and Cultural leaders who’ve transitioned into the Ancestral realm, all-knowing that this calling was a whole lot greater than the actual work. Thinking from a genealogical perspective led me to the daunting task to actually research sunrise and sunset dates associated with the names located. Eventually, another tier added to these efforts was to locate the place of birth and place of death.
Reared, educated, trained, performed, in the richness of the Bay Area’s Cultural landscape, my honing grounds is that of the African Dance and Drum Community in Oakland, California preceded by my Mother. [see nzoCALIFA dance.blog post] Mentored as a Cultural gatekeeper, now prospering these gifts into a Dance mediumship for service, I envision this opportunity for Ancestral and Communal healing, a mission shared by 2 of my Dance kinship who serve as co-commissioners for Oakland’s Life is Living Festival: African in Oakland – Dance Zone. United we bring into focus, The Malonga Casquelourd Center for the Arts, celebrated Arts portal and cultural cradle place nationally renown also represents for us as “Nzo”, our house, village house and or sacred home, with a mission to elevate its vitality by intentionally honoring our beloved transitioned, treasuring their contributory gifts today.
Immediately the need is to remember our dead transitioned and restore Ancestral rites of atonement in the Community. Approaching this process like a “Spiritual Architect” coin-phrased by Pastor Yolanda Batts of Brooklyn’s Celebration Spiritual Center, I bring my tools as a Field Research Genealogist to the table, ready to shed light upon those good folks who I’ve known through my Oakland Village of African Dance, Drum, and Culture — more than just to say their names, it is important to share their stories cultivating the wealth of knowledge already invested in the Community and to encourage such exchange among each other. From a collected roster of names collected, over 40 to date and growing, my first attempt guided me to research an International comrade who used to wail the call of Zulu warriors with songs of Freedom envisioning the unification of Africa. As an expatriate of apartheid South Africa, I also learned that Brother Sechaba J. Mokoena was a touring member of critically acclaimed South Africa musical “Ipi N’Tombi” eventually defecting to the United States in the 80’s, becoming a resident of the Bay Area.
#nzoCALIFAncestry: I located the record above, showing Brother Sechaba’s birthdate and as a resident of Oakland, California, North Oakland, known as the Upper Telegraph area today; he flourished as a founding member of prominent South African Cultural Groups, Zulu Spear band, and U-Zulu Dance Theatre, always keeping his vision of a United Africa. I am still locating his death date, I have an approximate year based off my recollection at the former Citicentre Dance Theatre back in 2004.
And if ever there’d be a living archive so true to date, that’d capture his views, this video documentary discovered from online research delivers! Listen to the message and learn more about Brother Sechaba. AMANDLA Brother Sechaba Mokoena!
Give praise to life. ~R. Calloway, #workingmylines
- Public record accessed from Ancestry.com
- Video published by Sonny Walebowa
- #nzoCALIFAncestry: Continued works, documenting and preserving beloved Communal Ancestors transitioned of the Malonga Center Community legacy. Installed at Life is Living Festival and “Library Edition” Oakland Public Library