Tag Archives: Genealogy

Revisiting Family Tree of Surnames

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R Waters Calloway - working Family Tree of Surnames researched. 2014
R Waters Calloway – Working Family Tree of Surnames researched. 2014

Give praise to the Life of our Ancestors imbued with infinite wisdom to UPlift our own. Honor breath -speak their names for the vitality of yOUR existence for they are with you, GIVE light towards their ascension for the healing.

Adjoin in Familial – Communal kinship increasing the power of these riteful works making what we do powerFULL. Egun iba’se Egun ire’o *a dupe Baba Yagbe Awolowo Onilu for the added fuel of inspiration.

#‎workingdalines‬ ‪#‎RiteOn‬‪#‎FamilyHistory‬ ‪#‎CommunityPreservation‬  visit: Congo SQ West Kinship Society

Learn more: Midwestern African American Genealogy Institute (MAAGI)AfriGeneas ~ African Ancestored Genealogy

Ancestors RIZE, WE Live on…iba’se

Daddy Star Shine! This commemorative day I honor my Father’s transition in the post-launch of a lunar eclipse and in the midst of a swift Harvest Season of Ancestral rites, celebrations and atonement.

Daddy Star Shine - Give Praise to Life of my Father Alvin Charles Calloway AUG.15.1942-OCT.08.2009 born: Summerfield, LA
Give Praise to the Life of my Father Alvin Charles Calloway      AUG.15.1942 – OCT.08.2009
        born: Summerfield, LA

It’d be awhile returning to this particular blog as I’ve been in field studies working tenaciously and “in the Lab” so to speak, forwarding works with a rapidly paced #Dancestory2014 – see more here: #Dancestory2013 – A Project of nzo.califa Dance Works [click link]

What an amazing journey thus far having gathered so many amazing stories to be retold and archived, as well as capture the stories of Our living, vital threads of information to keep weaving our DNA codes into truth. Those codes remain vital links transcending time, generations giving deeper insight into mysteries of innerstanding. As much as we are immersed into a highly socio-techno world — breath, blood, and water are powerful conduits for transmitting Spirit  and information and for African Ancestored Genealogists, WE know that this is the ammunition that slays so-called “brick walls”.  Ancestral propitiation remains a life line extending deep wisdoms and truth to help us to live long, and live well ensuring our wealth into the next generation.

KeepCalmFamResearch
How are you inspired by Family History, and who amongst you is the the Historian or Researcher? See link below for continued inspiration.

Easier said for most, yet I give witness through my own life, marked NEXT LEVEL when one of my parental pillars transitioned. Since then, my life works have been fueled with immeasurable rewards and unfettered passion. See https://workingdalines.wordpress.com/2013/10/08/whose-do-you-belong-to/

I’ve listened to and have observed countless testimonies from the voluminous works of African Ancestored Genealogy Societies daily throughout this country. I’ve experienced the re-awakenings of Spirit, the strengthening of Family ties towards Communal betterment. For this, I “stay on the potter’s wheel” utilizing this powerful vehicle for healing and transformation. And I can attest to my own personal development and thank my Ancestral stars for it… R. Waters Calloway

Get Started & Give VOICE to your Story: 

http://beginninggenealogist.com/

http://www.afrigeneas.com

Genealogist READ by any means necessary…

I am moved and grounded by reading a good book. As much as I love to surf the web, research online or build social media formats,  I love the adventuresome qualities of of collecting books of interests and find that buying or gifting books is an invaluable investment.  In my Genealogy works before there was internet, I frequented libraries, museums and institutions for information in researching my Family History, while learning about historical elements associated with my heritage.  With the introduction of  Technology and subsequent passages of  the Freedom of Information Acts, [FOIA]  Genealogy has become a billion dollar business captivating our attention, our minds and in some cases eclipsing invaluable connections like face-to-face contact, while shortening the attention spans of some presuming that they “don’t have time for reading.”  Libraries, Museums and Historical Institutions are the great halls of information equally valuable as our online technological cohorts.

Most recently, I was an organic conduit for bridging a trio of these components:

 

ACT TODAY!

 Gain Knowledge,

Read a Book

Save A Library

Encourage Reading
ENCOURAGE READING!

Unearthing the Story: When slain Matriarchs speak…

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behind the scenes glimpse  as M. Malonga depicts the “Laura Nelson” story | Okemah, OK 1911

REEEEE-MIIIIX – Genealogists serve in a multitude of professional arenas. In the capacity as Curatorial Director, I was privy to participate in the stellar artistic works and exchange of Muisi-kongo Malonga’s “Kimpa Vita” creation. Daunting, yet always guided we prayed, researched and gathered oral narratives from Congo to California, combed scholarly works and built compelling stories focused upon 3 iconic travesties of justice involving African American Women.  The particular stories chosen, we felt resonated with the movement and demise of our central figure Kongolese Matriarch and Warrioress – Mama #KimpaVita of old Kongo Kingdom.

The solo chore-opera first debuted as an excerpt, at San Francisco Counter Pulse Performing Diaspora 2nd 4-day weekend showing, witnessed by 3 sold-out audiences.  Wearing the “Directorial” hat was like balancing a 50lb laundry basket upon my head. Yet through stealth training and mentorship, I focused on balance determined to obtain evidence unearthing associated documents. To my surprise, my discovery included rare graphic depictions concerning these African American Women dating back to as early as 1865 for one, an actual audio recording of American Folk singer Woody Guthrie,  and a state sponsored historical marker citing the lynching rampage of  the times in 1918.

Born 14 months after the Laura and L.D. Nelson lynching,  Woody Guthrie’s own father, then a local politician was actually associated with the lynching and the heinous crime of these times, ultimately chronicled into a postcard. Guthrie wrote a song called “Don’t Kill My Baby & My Son” and gives his crackling retell of story along with the accounts leading to the Nelson lynchings.  The song wails in agony…

Not content to believe that Ms Laura’s story starts with lynching and ends with death, I further discover a blog dedicated to her aptly named “The Nelson Lynching of 1911 @Okemah, Oklahoma” also bearing genealogy research for Laura’s husband, giving some idea as to how the two came to be united and ultimately divided. [see link below]

“The Nelson Lynching of 1911 @Okemah, Oklahoma”

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Kimpa Vita aka Dona Beatriz Kongolese Matriarch 1684–1706
One of the African Women to fight against European colonialism in Africa

I remember thinking the whole time, “Who are the descendants of these matriarchs and what are the surviving legacies arising from their marked death?” Equally thrilling was to discover active initiatives and commemorative efforts that raise awareness and bring to the forefront these injustices, engaging ongoing activism that combat violence against Women. The #KimpaVita project speaks veneration, and is a powerfully artistic offering to elevate these Spirits through Muisi-kongo’s dynamic mediumship for birthing the stories.  Regarding the reveal of these historical accounts concerning the African American Women, it exposed such an inherit ignorance about an abominable era of American History and at the same time de-mystified Mama Kimpa Vita, provoking more people to want to know herstory deserving to be known through her own rites – WAH!

And my #DANCESTORY2013? Its been a fast track, as I’m currently preparing my case scenarios for further research and engagement with genealogy kinship. About the next leg of travel, I’ve added #AK to the #MSY sojourn! I invite You to join the sojourn and support the project that invokes more stories deserving to be preserved, starting with my own.  Updates right here: http://bit.ly/1e56YML

~Regina Califa Calloway
nzo.califa Dance Works
“Working Da Lines: Dancestory2013″
twitter: @nzoCALIFA

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About the Artist: Muisi-Kongo Malonga 

Greetings from St. Louis #MAAGI finale

Greetings from St. Louis! 

On an amazing journey, making tracks to build lasting legacies.  Just finished co-producing a blogtalk radio show segment I spoke about last post.  This was a “Blogtalk” class project was commissioned to Track 4 participants “Genealogy as a Profession” by one our Teachers Ms. Bernice Bennett, granting us the opportunity to broadcast a show on her popular program “Ancestors Footprints”.  Launched LIVE July 10, 2013, from #‎MAAGI at the Historical Harris-Stowe State University, St. Louis, MO, listen in as Institute classmate Callie Flournoy-Riser shares her #‎genealogy journey to Cameroon with our class host Gary Franklin. Here’s the broadcast link: http://bit.ly/134oWEp and below is my Track 4 classmates.

#Dancestory- #STL - at MAAGI
Track 4 class – “Genealogy as a Profession” coordinated by Angela Walton-Raji
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#STL- Lobby Greeting at B.F.L.

Part of my #Dancestory2013 mission is to participate in cultural exchange with kinship organizations of the African Dance and Drum Community to invoke dialogue about our Family Histories, while exploring cultural connections. Through Kreative Pandemonium, I was invited to teach a Afro-Cuban Diaspora Dance/lec at the historic Better Family and Life Center led by DeBorah and Malik Ahmed. To be greeted warmly by students of the Community and to encounter the powerful artistry of Mardi Gras Indian traditions was a wonderful welcome; I along with many have have sewn a few of the pieces of this very suit by the Zulu Family of New Orleans, worn by Chief Shaka Zulu of Yellow Pocahontas, member of 200 year legacy founded by the legendary Big Chief Allison “Tootie” Montana. Mind you, every stitch counts for such a monumental task taking about a year to complete.  God Bless the Mardi Gras Indian tradition.

#STL- #Dancestory2013 - KP
#STL HOT topic 24/7 aka “

My “KP” kinship began with long time Brethren Weedie Braimah,  leading to meeting his life-partner Andrea Peoples a whirlwind of familiar hospitality and a creative force, both imbued with long-standing music traditions in their own heritage stemming from New Orleans and the infamous Temptations, respectively. Their Organization/ Band/ Family Kreative Pandemonium, so aptly named breeds a powerful movement of sound filled with deep soulful grooves, intricately woven with West African Ancestral calls, historical Jazz runs, flipped with #STL swagg all day and them some.  I was privy to some of the rehearsals and was compelled to do a jig on the spot in my little corner, because this was NOT sit down music – AND, the musicality is on HIT!

Wearing my red Fogo  2004 “Kongo Ya Bakoko” shirt in tribute to the legacy of the Ancestors, the class opened up naturally to honor St. Louis’ infamous Cultural Ambassador and treasure Ms. Katherine Dunham.  As I shared my own Dunham #Dancestory citing my Mother, Patricia Waters-Calloway whose teacher was Ms. Ruth Beckford, Dunham Biographer, toured with Ms. Dunham in 1943, celebrated 1st Lady of Oakland Dance and Professor Elendar Barnes, Founder of the Laney College Dance Department and Co-Founder of Dimensions Dance Theater, later to further ignite my own passion under the aegis of Mentor/High-school Dance teacher Paula Fleury-Mc Cullum, with a myriad of Dunham emissaries along the way.  I reflect favorable upon an fortunate opportunity to meet Ms. Dunham at San Francisco’s Festival 2000 in 1990, where as a Marketing/PR associate I was privy to accommodate her general needs and to observe a class she instructed masterfully from here chair at Laney College. Later in 2006, I’d participate in a “Living Birthday Card” choreography, honoring her 97 years on earth, presented by the Dunham Legacy Project of Northern California at Laney College. For my first class in the #STL, we started in 1st position parallel, working plies, undulations,  parallel flat back, rhythmic isolations, then onto progressions – warmed up to a sweat dancing for Palo, adding some heat with Ogun and hit a frenzy with a little Vodou-Arara ,all in dedication to them- here and beyond. I had a great time and love the energy of “da Lou” filled with generations of deep-soul Dance and Drum folks. #grateful

#Dancestory2013 - #STL
#STL- R. Califa teaches Afro Cuban Dance #STL Better Family and Life w/KP
#Dancestory2013 - #STL Drummers
#STL Drummers Led by Weedie Braimah of Kreative Pandemonium

IMG_1867I am ushered to highlight the Bay Area’s African-Ancestored #Dancestory, so inspired by the tenacious Soul-searing ground works like that of my Sis-kin Amara Tabor Smith and the talented Dance mediums of “Ed Mock-manifestations” giving us signs that “We and They” want to be heard.  In shared works and more, I too pose the question:

“How shall we preserve and archive vital information that   transcends generations, and inform these times?”

To this, I relish these thoughts:  My living Grandmother allowing me to perform data entry on her job computer at 14, being a Mac User since 1984 and my Grandfather [deceased] urging me to re-do his Family History documents on a newly purchased Mac to appease my Grandmother, knowing that I’d “hang around”.  We produced our first Family history book – #Walston 1993,  taking it next level in 1994 on the matrilineal side, lead by my Grandmother – #Coleman/Culverson.

Yet, when I think of my experience at Midwestern African-American Genealogy Institute this year in St. Louis, I think back that just a couple of months ago, my family buried my 1st cousin who was my age…Her beautiful transcendental Spirit of perseverance is my fast pass to live my life NOW, which lead to my Scholarship Award from Afrigeneas.com making it possible to attend #MAAGI.

It shall always be an indelible print upon my memory, taking our inaugural class picture, my eyes welling up in quiet pride. I shook my head, because I could see my grandfather smiling and sense Ancestors applauding for this moment was truly historical and I was a part of it–for the record. #Dancestory2013-STL

#MAAGI2013 Inaugural Class
Inaugural Class of the Midwestern African-Am     Genealogy Institute, July 2013
Harris-Stowe State University, St. Louis, Missouri

*For more information about #Dancestory2013  [just click link]

**Special thank you to Institute Founders, Directors, Coordinators, Professors and Experts. A very special thanks to Charles Brown, Jr and Angela Walston-Raji along with the tenacious works and hospitality of the St. Louis African American Genealogy Institute. Pleased to be in the esteemed kinship of Kreative Pandemonium and Better Family Life Cultural, Educational and Business Center, and Community Dancers, Instructors and Drummers.

***Hail Up: Baba Bro. Rodney Lindor of Haiti, Bokulaka, Black Repertory Theatre, 14th Street Artist Community, Sabayet Inc., Dr. David Imhotep, Baba Kenya Ajanaku, and the New African Paradigm Study Group and my roomies from the Afro-American Genealogy Historical Society of Chicago.

#Dancestory2013 – ZAPPED by Ms. Electra Price – Chief Genealogist

Photo: Siana Hristova, The Chronicle
Ms. Electra Price Oakland Bay Area Pioneer in Genealogy with nationally renown contributions to the field, specializing in African Ancestored Family Histories. She’s also a founding member of Afrigeneas.com, Founder of local African American Genealogical Society of Northern California, with 15 years of outstanding stewardship serving as a volunteer at the Family History Center housed at Oakland’s Mormon Temple.

This Sojourn would privy me to the rare sittings and cherished conversations with Eldership who are trailblazers in this burgeoning field of Genealogy; As my interest is of African Ancestored Family Histories in shared vision with Afrigeneas.com, I’d meet a founding member residing right here in Oakland- Ms. Electra Price! “Come on in here baby…” greeted with a sparkling smile and infectious candor, I am literally floating in from a soggy rainy day- grateful for my Dance-kinetworx – SHOUT OUT TO LEAH KIMBLE-PRICE [lovez you].

Needless to say in true “geek” behavior, I squealed at the site of seeing two computer screens, desks of vital information, data, album stacks, a printer, wall-lined books endless of my eyesight as I wanted to read them all up – yup this is my house, to train, to learn, to initiate! All so serene, encompassed in an atmosphere of a scholar’s lounge. And 3-4 hours later, I found a deep kinship beyond the book stacks, shared interests, and name claims – WE Oakland natives Ms. Electra and I share a deep pact with Ours, to somehow “leave the data”. And NO, I can’t begin to tell you everything as we combed decades, traveled dimensions weaving information as I fast took dictation -yet I will leave you with one of the endless tips from Ms. Electra Price to aid in your own personal journey in discovering your Family history.
TIP:
Go home get the old photos you’ve collected turn them over, label and date them i.e. who, where, when. A gold mine of information!

MORE about Ms. Electra Price: Read this article by Brenda Payton, Veteran Journalist: http://bit.ly/1cwqBIh

SUPPORT – My #Dancestory2013 Sojourn underway in preparation to attend the Midwestern African American Genealogy Institute in St. Louis, MS for continued study and development and travel to collect Family data, documents and stories from 3 states. Please review: http://www.gofundme.com/Dancestory2013

#WINNER – AfriGeneas Scholarship Award

#WINNER – AfriGeneas Scholarship Award

#Dancestory2013 NEWS: *still recovering from a natural high* – THIS EVE, I received notification of CONGRATULATIONS as the recipient of the AfriGeneas Scholarship Award Scholarship recipient covering tuition to study at the Midwestern African American Genealogy Institute (MAAGI)! Certainly the crown piece of my sojourn, as I’ll prepare to be immersed in 4 lectures a day over a 3 day period. 2013 marks the Institute’s inaugural year featuring genealogy leaders and experts specializing in African Ancestored family history research, held at Harris-Stowe State University in St. Louis, Missouri. My Study track Genealogy as a Profession  will be conducted by the illustrious Angela Y. Walton-Raji, nationally renown researcher and founding member of Afrigeneas.com, where participants will focus upon strategies for teaching, lecturing, writing and taking our practice to the next level and so much more, #RiteOn. I humbly thank Afrigeneas.com, MAAGI, the one above & the “divine9” representing the jumpoff! http://www.gofundme.com/Dancestory2013

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note: Interested in tracing your roots, don’t know where to start, here’s the perfect place “the beginning” with Angela Y. Walton-Raji’s site:  http://beginninggenealogist.com/